- ECHOES. 2023
Installation
Alcova, Milan - POIKILOS. 2023
Solo show
Nilufar Depot curated by Studio Vedèt - LIGHTS ON. 2023
Public Installation
Italian Capital of Culture - Chronos. 2022
Installation
curated by Mr.Lawrence
Design Miami - Conversations on Domesticity. 2022
Installation
curated by OoCI
Art Athina - Ask Me If I Believe in the Future. 2022
Group Exhibition
Museum für Kunst und Gewerbe, Hamburg - DOMESTICITY-AT-LARGE. 2022
Installation
with Etage Projects
Alcova, Milan - Why Now?. 2022
Group Exhibition
for Spotti
Milano - Hard, Soft, and All Lit Up with Nowhere to Go. 2021
Exhibition
The Noguchi Museum - Future Archeology. 2021
Solo Exhibition
Etage Projects
Copenhagen - Future Archaeology. 2021
Installation
Etage Projects
Alcova, Milan - Volax. 2021
Exhibition
Carwan Gallery, Athens - Come Back Tomorrow. 2021
Digital Exhibition
Perfettooo! - Archipelago. 2021
Installation
Cycladic Museum - Far. 2020
Installation
Nilufar, Milan - Doric Columns. 2020
Kinetic Object
Kvadrat Exhibition - Standing Stones. 2020
Exhibition
Adam - Brussels Design Museum - Pilotis. 2019
Installation
- Landscapes. 2019
Installation
Collectible Design Fair
- Homage. 2019
Installation
Art Athina - Formations. 2018
Installation
Art Athina - Bloc Studios / Alcova. 2018
Exhibition - Forms of Volume. 2017
Installation
Lexus Garage - Untitled. 2018
Installation
Collectible Design - Memory Acts. 2017
Solo Exhibition
Martinos Gallery - New Reflections. 2017
Solo Exhibition
Matter - Champs Creatifs. 2017
Exhibition
Gallery Bensimon - Athlos. 2017
Center Installation
Art Athina - Rest Stop. 2017
Exhibition
Canal Street Market - Table of Contents. 2015
Installation
Biennale Interieur

Standing Stones
ADAM – Brussels Design Museum
Building upon the legacy of the Cycladic culture and its influence on contemporary art Eleni Petaloti and Leonidas Trampoukis of Objects of Common Interest Studio present a series of sculptures in an immersive installation that simultaneously furthers the Studio’s ongoing study into softness—both in form and as a material quality.
Cast as translucent inflatables, what was heavy, solid, hard is now light, airy, and soft shifting a reinterpretation of ancient forms allowing for viewers to develop new relationships to the work.
The Standing Stones are placed upon large, mirror surfaces that create a totem like effect as the forms reflect in them, further creating an illusion to the viewer rendering the sculptures larger than life.
An ever-changing assemblage of forms is presented as one moves past, under, and between the sculptures. Amidst the Standing Stones field a ceremonial circular seating array is positioned around another reflective pond inviting visitors to gather, rest and experience the spatial transformation, to find an inner moment to contemplate and self reflect.




































